Friday, May 2, 2014

Entering Another Dimension


I read somewhere that characters are just figments of an overactive imagination; THINGS that writers create on paper to deliver dialogue and act out some conflicts and resolutions…
Sounds kind of boring.
We owe it to our readers and to ourselves to invent people that everyone can believe in, some we can love and cheer for, and others we can HATE. Our characters need to be more than names on paper. Our heroine shouldn’t just react, she should have a reason to react, something that drives her to be angry, sad, happy, or unsure. The hero should never be too good to be true because then he can’t be real. Even our villains should have some likeable moment, or at least one person who likes or loves him at some point of his life.
As a writer, whether you plan your story structure or just let it happen, you have a basic idea of what you want to happen and where you want to story to go. Unless you want to present a glorified outline to your readers, you need to build the characters and the setting into something real that your reader can be a part of.
The first thing to remember when adding dimension to your character(s) is that he/she/they were not born on the first page of your book – there was a life before and experiences, both good and bad. Your character has memories that come with him. And if you are reading this and saying, “My story does begin with my character’s birth”, then don’t forget the package (family) he or she was born into and the influences that surround him. Even if a deciding moment in the character’s life never makes it onto the pages of your book, the influence and results of pivotal moments become a part of your character and needs to poke its head out in every decision your character makes. That’s called motivation.
You need to understand who your character is. It is not enough to introduce your character’s profession or beliefs by stating what they are, know it. Do your research. What does an architect do? What are some of the common expressions an architect would use? What kind of education and how difficult is it in order to become an architect? Is your character realistically well paid or does he have to settle on a used car instead of the hottest sports model? If your character has a medical condition, then let that condition affect the way he lives, but understand what modifications your character needs to make. Know what you are writing about. Read books on the subject, research on the internet, peruse help wanted ads for job descriptions. Make your character real.
Personalize your character; make him different from the other characters in your story. Give the hero a consistent habit, expression, fault or fear that is his alone. Change speech patterns between characters so that each one speaks distinctively. Remember to keep those patterns consistent and individual. Maybe one character has a habit, possibly annoying, of speaking in short staccato sentences – use that as a character trait that the reader can identify with that individual. If you are introducing a foreign accent into your story courtesy of a character’s ethnicity, use it sparingly. Use too many accented or foreign words may confuse your reader and separate them from the world in your manuscript. Use just enough dialect to add a signature flavor to your character. Make the character unique.
Remember the adage that less is more. You may have done a great deal of research into your character’s job, native tongue, or religious beliefs. Use the knowledge you have but not to the point of exposing your LACK of knowledge. The same concept goes for describing a setting – give enough for your reader to visualize the room or landscape in their own mind, but not so much that it destroys imagination.


Writing Exercise:  Have one of your main characters describe his best childhood friend. What were their favorite games, foods and music together? What caused their eventual separation?

Writing Prompt:  Without looking out of your window or front door, describe the street in front of your home – include cars, trees, homes, etc. Describe the scene the best your memory allows. When you are finished grab a different colored pen and bring your description outside with you – circle anything that is not accurate, add things you forgot and cross out things that don’t belong.


Challenge:  Write yourself, the real you, into a chapter of your story. Don’t just be a piece of the background, give your favorite character(s) a chance to interact with you and let the readers know what the character thinks of you. Make sure that you and your characters are real in the story and not just the author and her creations.