Friday, April 20, 2018

The Author’s Voice



Each author develops her own voice, it’s a style of conversation, a way of telling the story, the use of punctuation, and where emphasis goes. Most writers’ voices are a constant in narration and a frequent reader can recognize the author just by “The Voice”.

"Voice is the author's style, the quality that makes his or her writing unique, and which conveys the author's attitude, personality, and character." (About.com)

Authors also need to develop their characters’ voices, the ones used in dialogue; each voice should be unique so that it truly sounds as if different people are speaking. Each character should sound like a product of who he is, his education, social status, personality, and aspirations. The characters should not sound like the author is doing all of the talking (okay, maybe ONE if that is the author’s intention…)

There are times during the actual dialogue when it is all right to misuse proper grammar or use words with unclear meaning IF IT HELPS TO REPRESENT THE CHARACTER WHO IS SPEAKING. The author narration needs to be proper, the correct tense, punctuation, word meanings and clear language. The reader should also be respected for being able to understand what he or she is reading, the narrative should not be “dumbed down” so that they feel they are being spoken down to. It is okay to use a thesaurus or dictionary, but the language should be simple enough so that the average (target audience) reader does not have to constantly interrupt his reading to look up words in the dictionary. It’s important to keep the target audience in mind when choosing the language as well as subject matter.

The Editing Process
Every re-write, whether done by the author or an editor, needs to respect that author’s voice. An editor should ideally work in a cooperative effort with the author and allow the author to accept or reject revisions in order to make sure that the voice and intended story are not changed. At the same time the author needs to remain open to suggestions made by editors and beta-readers — would the suggested revision make the story flow better, maintain suspense, include the reader in the action, and make the message easier to understand?


Writing Exercise: Start with a pen and a blank piece of paper; sit at a public place like a coffee shop, bus station, or public park — or sit at home and turn the TV on to any random station. Write down the FIRST word you hear, write two sentences using that specific word (the two sentences need be unrelated to each other). Listen for another word and do the same thing. Do this at least five to eight times. Next, choose ONE sentence from each pair and string those together to make a mini story (one paragraph to one page). It may not make any sense, it just may be a fun creative attempt!

Writing Prompt: Make a list of five to ten “colloquialisms” YOU use in everyday conversation that are unique to YOU.

Challenge Assignment: Choose any five people you know from different walks of life (for example: occupation, education, gender, age, financial status, and/or ethnicity). Think of the unique way each person talks. Write one paragraph of EACH person’s response to an “annoying” telemarketing phone call interrupting sleep, dinner, or any preferred activity. Use action as well as dialogue. Are the responses unique? Does each response really sound like the person you know?