Friday, March 23, 2018

Make Conflict Personal



Anyone can have (and everyone has had) a bad day. We need to let our characters face all kinds of strife as we build tension in our stories. Why should our readers be interested in our characters’ bad days?

Make each character real, make them more than just three-dimensional. We’ve discussed giving our characters lives BEFORE the story opens; their experiences color the way they act, may help determine their goals, and certainly influence their interactions with others. Even though your reader may not need to know all of the character’s background, you as the author must. HINT at the protagonist and antagonist’s past, but don’t throw down a whole block of backstory (explanation) why they like or dislike, or why they take something too personally. Your readers don’t need to pour through sentences and pages of unnecessary explanations.

If your character feels real to your reader then she will care what happens to him especially when you drop tiny little references to a long ago past as you throw conflicts, obstacles and disappointments at your hero. (Yes, do NOT be kind to the characters you create). You can certainly show your hero’s dismay when he comes home to find his family seated on the building stoop, he can feel his disappointment in himself for failing to provide enough to keep his children housed. But if you throw in a quick memory flash of his own childhood and cold nights sleeping in an alley as he sees his own child looking lost, suddenly his frustration seems even more poignant. And just to add salt to his wounds he can miss his late-wife’s knack for always seeming to make ends meet.

You want to do more than just tell a story, your reader needs to feel emotions. Did you watch the show “This is Us”? In one of the episodes Kevin loses a chain and medallion and he is upset and it made viewers tear up when it was revealed that the medallion was one of the few things he still had from his deceased father – make everything as personal as possible so that your readers are invested, let them hope and cry and feel right along with the character.

Keep the tension high throughout your story with lots of small PERSONAL conflicts to keep readers turning the pages. Let some of your character’s dreams and goals seem just out of reach and yet let him/her still keep reaching. Remember to allow your readers a chance to catch their breath though by interspersing tension and calmness (heavy on the tension) — maybe interrupt the single mom’s fears and doubts with a quiet moment watching children playing in the park and then zing it right back to the conflict and her doubts of being able to do this on her own. Don’t waste words in the story, there is no need to describe the wallpaper in excess flowery prose, for example, keep it short and simple.

You don’t have to include every word of dialogue or every movement. Describe settings, objects and even what a character looks like only if the description is relevant to the story. Short sentences can help build tension.

It doesn’t matter how much you love your hero/heroine, they cannot be perfect, that’s not realistic; it’s the same for the antagonist, he/she is not all bad. Make your readers ask questions which you will provide the answers to WHEN THE TIME IS RIGHT. Never info-dump, smatter your story with relevant information. Hint at the past, you don’t need all the details.


Writing Exercise: Think of your most valued possession (inanimate) ever. Describe to your readers what this piece means to you. Do you still have it? If not, how did you lose it? Do you miss it? If you still have the item, what do you do to keep it safe so you don’t lose it? What are your eventual hoped-for plans to do with the object? Write a few paragraphs about this item, fill your words with emotion.

Writing Prompt: Make a list of your ten greatest fears. Next to each fear write a short sentence something from your past that may have instilled this fear in you.

Challenge Assignment: Write a short story (1000 to 2500 words) involving a crime, a victim, and a hero/heroine. Solve the crime near the end of the story but keep your readers guessing. Show the finished story to one-to-three trusted friends and ask for their HONEST critique of the story. Did they feel for the characters? Were they surprised along the way?