Friday, April 27, 2012

Opening the door



One of the first things my publisher states when asked about receiving new queries is that she tosses any query that doesn’t somewhat fit her instructions (found on the website). And yes, while she is “the boss”, it is not a matter of ego that guides her action. If the inquiring writer can’t be bothered to try to follow the rules, they have demonstrated an inability to work as part of a team. Most publishers nowadays, particularly the smaller indies, rely on that teamwork to keep afloat.

Take the time to study the market to make sure that your work fits. If a book publisher doesn’t publish children’s books, no matter how well you write, they won’t be interested in a book written for eight-year-olds. Look over a few issues of a magazine you are considering submitting to so you can be sure that you are writing for the same audience that reads the magazine.

You can usually find instructions for submission on a website, in a print magazine or newspaper, or in specific guides such as Writer’s Market. Not every publisher has the same rules. Book publishers for instance may want a simple query letter, a  detailed synopsis, the first three chapters (or 50 pages), or, upon invitation, the entire manuscript. Some publishers will not accept un-agented submissions at all. Also note if they specify electronic or hard copy submissions. One more thing, while most publishers/editors are a little flexible about word counts, you need to at least be close – if the article count is supposed to be 1000 words, 600 is not enough and 1800 is too much.

There is a reason a submissions editor will specify fonts, type size, margins and line spacing. With the ease of electronic submissions and electronic publishing, format is another important element. Double-spacing lines, tabs, special characters, and graphics may not be compatible with the chosen print process. Be thoughtful of the submission editor’s eyes as well, it is difficult to read curly or small print or colored ink on colored paper and it is probable yours is not the only submission he or she has to read that night. Spraying your query or manuscript with perfume may indeed make it memorable, it might also make it impossible for the editor to read without an allergy attack.

Normally you will query an editor with a completed work of fiction or an idea for a non-fiction article or book. Verify the name of the editor you are directing your query to. If your work is complete be sure to include the word count in your query. Especially for works of non-fiction, let the editor know why you are qualified to write about the subject. Be clear what your idea is and why it fits the publisher’s market, state the manner which you will use to complete the article (if you know you can get a big name as an interviewee, say so). Open  your query with a short, concise pitch – this pitch needs to sell your idea, your work and you. Don’t try to tell the editor what they should think and definitely don’t tell them what a fool they would be to pass your offer up. And do NOT make demands of outrageous advances or terms. Keep the query letter to one page or less – and then wait for the doors to open.


Writing exercise:  Twitter is a social networking tool which allows you up to 140 characters to make a statement, share an idea, or even tell a story. Practice “tweeting” a pitch about your book, about your experience, and about your ideas. Each tweet must be able to stand independently.

Writing prompt: Make a list of ten independent keywords related to your work that would interest the average reader to buy your book.